East of the West
Copyright © 2011 Miroslav Penkov
All rights reserved. The use of any part of this publication, reproduced, transmitted in any form or by any means electronic, mechanical, photocopying, recording or otherwise, or stored in a retrieval system without the prior written consent of the publisher—or in the case of photocopying or other reprographic copying, license from the Canadian Copyright Licensing Agency—is an infringement of the copyright law.
The Bond Street Books colophon is a registered trademark of Random House of Canada
Library and Archives of Canada Cataloguing in Publication is available upon request
eISBN: 978-0-385-67601-4
The title story first appeared, in slightly different form, in Orion.
The following stories were previously published in very different form:
“Makedonija,” in Big Muddy: A Journal of the Mississippi River Valley;
“Buying Lenin,” in The Southern Review and The Best American Short
Stories 2008; and “Devshirmeh,” in The Southern Review.
“A Picture with Yuki” originally appeared in One Story; “The Letter”
originally appeared in A Public Space.
This book is a work of fiction. Names, characters, places and incidents are
products of the author’s imagination or are used fictitiously. Any resemblance
to actual events or locales or persons, living or dead, is entirely coincidental.
Cover design: Kelly Hill
Cover image (canvas): Jill Battaglia/Shutterstock
Published in Canada by Bond Street Books,
a division of Random House of Canada Limited
Visit Random House of Canada Limited’s website: www.randomhouse.ca
v3.1
For my parents
“My soul, your voyages have been your native land!”
—Nikos Kazantzakis, Odyssey: A Modern Sequel,
Book XVI, line 959
CONTENTS
Cover
Title Page
Copyright
Dedication
Epigraph
MAKEDONIJA
EAST OF THE WEST
BUYING LENIN
THE LETTER
A PICTURE WITH YUKI
CROSS THIEVES
THE NIGHT HORIZON
DEVSHIRMEH
Acknowledgments
A Note About the Author
MAKEDONIJA
I was born just twenty years after we got rid of the Turks. 1898. So yes, this makes me seventy-one. And yes, I’m grumpy. I’m mean. I smell like all old men do. I am a walking pain, hips, shoulders, knees and elbows. I lie awake at night. I call my daughter by my grandson’s name and I remember the day I met my wife much better than yesterday, or today. August 2, I think. 1969. Last night I pissed my bed and who knows what joy tonight will bring? I am in no way original or new. Although I might be jealous of a man who’s sixty years dead.
I found his letters to my wife, from long before she knew me, when she was still sixteen. It was a silly find, one that belongs in romance novels, not in real life and old age. I dropped her box of jewelry. The lid flew to the side and the door of a secret compartment popped loose at the bottom. Inside lay a small booklet, a diary in letters.
I can’t imagine ever writing the kind of letters a woman would preserve for sixty years. I wish it was not that man but I who’d known Nora, back when she was closer to a beginning than an end. Such is the simple truth—we’re ending. And I don’t want to end. I want to live forever. Reborn in a young man’s body and with a young man’s mind. But not my body and not my mind. I want to live again as someone who holds no memory of me. I want to be that other man.
•
For eight years now we’ve lived in this nursing home, a few kilometers away from Sofia, at the foot of the Vitosha Mountains. The view is nice, the air is fresh. It’s not so much that I don’t like it here. It’s more that I really hate it. The view and the air, the food, the water, the way they treat us like we’re all dying. The fact that we are all dying. But I suppose, if I’m honest to myself, which I rarely am, I should be glad we’re where we are. It was hard to take care of Nora on my own, after her stroke. We left the apartment to our daughter, recently married, already pregnant, packed up and settled down in prison.
Since then each day is like the one before. Six thirty we wake up for medication. We eat breakfast in the cafeteria—thin slices of buttered bread with three black olives, a sliver of yellow cheese, some linden tea. Dear God, I remember eating better during the Balkan War. I sit amidst a sea of trembling chins and shaking fingers and listen to the knocking of olive pits on metal plates. I talk to no one and no one talks to me. I’ve managed to earn this much. Then, after breakfast, I wheel Nora up to the gym. I watch her struggle to make a fist, to hold a rubber ball. I watch the nurses massage her withered arm and leg. I watch their supple arms and legs.
The second stroke left half of Nora paralyzed, and all of her mute. Most nurses—some doctors, even—regard her as mentally challenged. She’s far from that. I’m sure that in her mind all words ring clear, but they roll out disjoined, like baby talk. Sometimes I wish she’d keep the jabber to herself. Sometimes I am embarrassed by the way the nurses look at her, or me. It’s obvious by now she won’t miraculously learn to speak again. That part of her brain is ruined, the fuse has blown. So why can’t she keep quiet? She manages to say my name and Buryana’s, and if I do my best to vex her, sometimes she manages a curse. The rest is babble.
She babbles as I roll her back to our room or, if the day allows it, out in the garden, where we walk in circles. I like the garden only when the flowers bloom. All other times the earth is damp and black, and I cannot resist the ugly thoughts. When we’re tired we sit down on a bench and fall asleep, shoulder against shoulder, with the sun upon our faces, and to anyone looking, I’m sure we are a lovely sight.
Then lunch. Then the siesta. Our daughter comes to visit once a week, and sometimes she brings our grandson along. But lately, with all the trouble she’s had at home, she visits daily. She is awful company, my daughter. We leave little Pavel with his grandma, so she won’t get upset, and in the garden Buryana talks of how her husband is chasing after another woman. Dear Buryana, I, too, might get upset. But here I sit on the bench and listen, because I am your father. I have no way of helping, no word of sensible advice. Hang in there, fighter. You’ll be all right. Words mean so little, and I’m too worn out for deeds.
•
I am asleep and disconnected from what has been or is. Then I’m awake. It seems that someone has dropped a tray outside. The wind rattles the gutters, the trees creak and Nora breathes too loudly. I close my eyes. But what if someone drops another tray? What if Nora coughs or snores? I lie, anticipating sounds that might never sound, yet all the same keep me awake. It thunders over the mountain.
I put on my robe and sit by the window in Nora’s wheelchair. I switch on the small radio. Quiet music pours out of the speaker, and I listen in the blue of the night, until a voice comes up to read the late-night news. The Communist Party is great again, more jobs for the people, less poverty. Our magnificent Bulgarian wrestlers have earned us more gold. Good night, comrades, be safe in your sleep.
Dear God, I won’t be safe. There is no sleep. And I’m so very tired of the comrades, their all-encompassing belief in bright future days that somehow I’ve started to suspect might never come. I turn the dial until I find the muffled sound of a foreign station. Romanian, it seems. Then Greek. Then British. The voices crackle and buzz, because the Party is distorting the transmissions, but at least at night the voices are strong enough to hear. I listen to the English and all the words sound like a single long word to me, a wor
d devoid of history and meaning, completely free. At night, the air is thicker, and one foreign sound drags after itself another and they converge into a river, which flows freely from land to land.
I travel with this river. But even so, how can I resist the current of my worries? I think of Buryana. How will she pay the bills, divorced and with a little child? How will Pavel grow up a man without a father? And then my eyes seek Nora, who snores lightly on her back. I watch her face, her wrinkled skin, her crooked lips, and I can’t help but think that she is pretty, still. A man ought to be able to undress his wife from all the years until she lies before him naked in youth again. Which makes me wonder if she ever lay naked for that other man, the one who wrote the letters. If he cupped her left breast in his palm. But it is Nora’s breast, and wasn’t he a man? Of course he cupped it.
I reach for the jewelry box and pry the bottom open. I take the little notebook and weigh it in my palm. Someone has scribbled on the cover—Dear Miss Nora, Mr. Peyo Spasov, in his last hour, asked us to mail this book to you. This is as far as I can read now. Mr. Peyo Spasov. It’s hard to think of a more ordinary name. He must have been a peasant, uneducated, ignorant and simple-minded. He must have earned his bread by plowing fields, by chopping wood and herding sheep. Most likely he spoke with a lisp, or stuttered. Most likely he walked hunched over from all the work.
It suddenly strikes me I’ve just described myself. Of course, I hate this other man, but what if he was not a peasant like me? What if he was a doctor’s son? I turn to the first letter and read.
February 5, 1905
My dearest darling Nora. I’m freezing and my fingers hurt, but I don’t want to think of such things. I’m writing you a letter. We’re crossing the Pirin Mountains and tomorrow, if God decides, we will be in Macedonia. The Turks …
My dearest darling. I shove the notebook in the box and hurry back to bed. Under the blankets I shiver and listen to imaginary sounds. I can’t afford to read about this man. There is a chance, however slim, that he isn’t what I need him to be.
•
“So she’s kept a few old letters, big deal.” Buryana takes off her sunglasses. Her eyes are red and puffy and she blinks while they adjust to the afternoon sun. We sit out in the garden, on a bench farthest from all other benches, but not far enough from the sound of the cripples who drag their feet and canes and walkers across the pebbly lanes.
“ ‘Big deal’?” I say.
“Big deal,” she says again, and I’m terrified by how calcified she has become, consumed by her failing marriage.
“You ought to read those letters,” she says. “They might help the boredom go away. And read them to Mother. Why not? It’ll bring her at least some joy.”
Some joy! And so I say, “I won’t take love advice from you.” I mean it as a joke, of course, but Buryana is in no mood for joking. And soon I wish I’d kept my mouth shut, because from that point on it’s all about her husband and that other woman, a colleague of his from school, like him a literature teacher.
She says, “Yesterday, I followed him out of the apartment. He met her in a café and bought her a garash cake. He got himself some water, obviously he had no money for more, and while she ate her cake, he talked and talked for an hour.”
“You think he talked of you?” I say. She starts to cry.
“The worst part is,” she says sobbing, “this other woman isn’t even pretty. Why would he leave me for a woman less pretty than me? So what if I think that a grown man writing poetry is stupid? So what if I don’t like to read? That doesn’t make me a bad wife, does it?”
I put my arm around her shoulder and let her have her cry.
“This is a valid question,” I say. A valid question. What’s wrong with me? And while she sobs my thoughts drift and I imagine little Pavel, upstairs with Nora. They must be laughing, happy, both unsuspecting.
“You ought to talk to him,” I say, and gather her hair in my palm, away from the wetness of her face. “You can’t keep spying on him like this. It isn’t right.”
She straightens up. “I won’t take love advice from you,” she says.
•
It’s night again. It could be yesterday’s, or tomorrow’s. A night four years back. They’re all the same. I sit in Nora’s wheelchair and listen to the world. I see beyond the walls, not with my eyes, but with my ears. I see the nurses, in their office, boiling coffee. The water bubbles. I hear needles clicking; someone is knitting socks. I hear the benches, the trees, the mountain. Each thing possesses a noise unique, and, like a bat, I drink the noise of all things, dead and living alike. My palate has grown a taste for sound.
I hear my grandson sleeping in his bed, my daughter talking to her husband. I hear my wife’s dreams, sweet to her, but tasting of wormwood to me. No doubt she dreams of Mr. Peyo Spasov. And so it strikes me as only fair that I too should be allowed to sample the noise he’s left behind. I take the notebook and read his messy writing.
February 5, 1905
My dearest darling Nora. I’m freezing and my fingers hurt, but I don’t want to think of such things. I’m writing you a letter. We’re crossing the Pirin Mountains and tomorrow, if God decides, we will be in Macedonia. The Turks have all the main passages guarded, so we had to find a new way through. Two of my friends slipped on ice, and were lost. The first one, Mityu, was leading the donkey with the supplies, and the donkey slipped and dragged him off the cliffs. So now we’re hungry, spending the night sheltered between some rocks. The snow has begun to fall. Dearest Nora, I miss you. I wish I was by your side now. But you know how things are—a man can’t stay put, knowing that in Macedonia the Turks are slaughtering our brothers, trying to keep them under the fez. I told you then and I tell you now—if men like me don’t go to liberate the brothers, no one will. The Russians helped us be free. It’s now our turn to help. I love you, Nora, but there are things before which even love must bow. I know with time you’ll understand and forgive. Draw the knife, cock the pistol. That’s what our captain, the Voivode, says. I wish you could meet him. He has only one eye, but a hungrier eye you’ve never seen. He lost the other in the Liberation war. He fought on the Shipka Pass, 1877, the Voivode. Can you believe that? He says the Turks were vicious then, but now, he says, we can take them. Of course it won’t be easy. The Voivode says I have no father, I have no mother. My father is the mountain, my mother is the shotgun. All those back home you loved, he says, bid them farewell. It’s for your brothers’ blood we spill our own. But I can’t say farewell, dearest Nora. And I can’t hold the pencil any more. I’m cold. And please forgive. Love, Peyo.
Love, Peyo … Why did I read these words? I vow not to envy or fear this man. Instead, I kiss my wife’s good hand and kiss her lips, as if to mark her. She’s mine now and has been for a lifetime, and that is that. I listen to the nurses down the hall, I listen to the benches and the trees. But in the moonlight my pillow is a rock, and so I lie beside this rock and so the snow begins to fall. I hear the rustle of every flake on my face, the chill spreads through my traitor knees and elbows. The Voivode lost an eye in the Liberation war. My God, what an awful thing to put in a love letter. I’ve seen men with their eyes gouged out. Men close to me, barefooted, with wrists tied together behind their backs. Hanged on the village square for everyone to see. As I lie in bed, eyes shut tightly, I still hear the rope creaking when the bodies sway, and I can hear the sound the bodies make swaying.
•
I was born a year after my brother. When I was twelve Mother bore another boy, but it died a baby. Two years after that she had twin girls. We lived in my grandfather’s house and worked his land. Our grandpa was a lazy man, the laziest I’ve known, but had his reasons. He sat out on the threshold from dusk till after dawn and smoked hashish. He’d let me sit beside him and told me stories of the Turkish times. All through his youth he’d served a Turkish bey, and that bey had broken his back with work enough for seven lifetimes. So now, in freedom, Grandpa refused to do as much as
wipe his ass. That’s what he’d say. “I have your father to wipe my ass,” he’d say, and hit the smoke. He drew maps of Bulgaria in the dust, enormous as it had been more than five centuries ago, before the Turks had taken over our land. He’d draw a circle around the North and say “This is called Moesia. This is where we live, free at last, thanks to the Russian brothers.” Then he’d circle the South. “This is Thrace. It stayed part of the Turkish empire for seven years after the North was freed, but now we are one, united. And this,” he’d say and circle farther south, “is Macedonia. Home to Bulgarians, but still under the fez.” He’d brush fingers along the lines and watch the circles for a long time, put arrows where he thought the Russians should invade and crosses where battles should be waged. Then he’d spit in the dust and draw the rest of Europe and circle it, and circle Africa and Asia. “One day, siné, all these continents will be Bulgarian again. And maybe the seas.” Again he’d hit the smoke and sometimes he’d let me take a drag, too, because a little herb, he’d say, never hurt a child.
And now, in bed, I suddenly long to fill up my lungs with all that burning so that my head gets light and empty. Instead, I fill up with memories of things long gone the way a gourd fills up with water from rain.
Our father was a bitter man, having to kiss his in-law’s hand before each meal. Father beat us plenty with his chestnut stick and I remember him happy on a single day in 1905, when we celebrated twenty years since the North had been united with the South. He sat me down with my brother, poured each a mortar of red wine and made us drink to the bottom, like men. He told us that when next we got our Macedonia back he’d fill the mortars up with rakia.
Father was lost in the Balkan war, seven years after. I’d like to think he fell near Edirne, a heroic death, but I won’t blame him if he just chose not to return. I hope he rests in peace. When Grandpa died, it fell to me and Brother to care for the women. We worked the fields of others, cut hay, herded the village sheep. And everyone spoke of a new war, bigger than the Balkan, and that war, too, at last, reached our village. Men with guns set up camp on the square, recruiting soldiers. They said all boys of such and such age had to enlist. They said if we helped Germany win, the Germans would let us take back the land that Serbs, and Greeks, and Romanians had stolen from us after the Balkan wars. The Germans would even let us take Macedonia back from the Turks and be complete once and for all. Our mother wept and kissed my hands and then my brother’s. She said, “I can’t lose both my sons in this war. But I can’t let you hide and shame our blood.” She sent the twins to milk two sheep, then put a copper of milk before me and one before my brother. Whoever drank his copper first would get to stay home and run the house. The other would go to war. I drank as though I’d never drink again. I chugged. I quaffed. I inhaled that milk. When I was done, I saw my brother had barely touched lips to his.